One of the most popular topics of the long-running Gallery Girls series of pin-up books is that of the wild "jungle girl." This powerful protectress of the animal kingdom is dressed in next-to-nothing, swinging from tree to tree, flexing her mighty thighs and sinewy biceps; her hard body glistens with pearls of sweat. A primitive with primal urges, she fights, she hunts, and in her more tender moments, satisfies herself with total abandon. Not exactly the girl-next-door, but that's the point In this fourth excursion to deepest, darkest parts unknown, we display more exotic erotica, with artwork by Tomas Giorello, Mitch Byrd, Pelaez, Ruben Meriggi, and a mighty band of fellow explorers Cover painting by Pelaez.
Languages convey messages, have a heuristic or semantic content, and operate through a conventional system of symbols and codes. In this book, it is shown that tourism, in the act of promotion, as well as in the accounts of its practitioners and clients, has a discourse of its own. The language of tourism is however much more than just a metaphor. Through pictures, brochures and other media, the language of tourism attempts to seduce millions of people into becoming tourists and subsequently to control their attitudes and behavior. Tourists, in turn, contribute further to this language through the communication of their experiences. This book provides the first sociolinguistic treatment of tourism. It draws on both semiotic analyses of tourism and on the content of promotional material produced by the tourism industry. The author writes in a way that is both rigorous but accessible. Providing a highly original treatment, the book is of interest to all studying tourism from a social science perspective. In addition, it has important implications for tourism marketing and for professionals in the tourism industry.
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